Everything I use to get a virtual event on air — the same documents I run real
client shows from. Confirm your email and the budget pages come with it.
Run-of-show sheet — segment timings, cues, who's on camera when
Pre-show tech check — the list that stops show-day surprises
Guest brief template — what to send panelists in advance
What to budget — real ranges for a produced virtual event, in the emails that follow
Here's the kit
Your download should have started — the run-of-show sheet, the tech check and the
guest brief. If it didn't,
grab it here.
Click the confirmation link I've just emailed you and I'll send the complete edition
— the same kit with the budget pages, real ranges for a produced virtual event —
plus a short series on running remote shows properly. Check spam if it doesn't arrive.
Already know what you're planning?
Send me the details
and I'll come back with a plan and a quote.
Up to 2,000Attendees on online events produced end to end
Building BlocksCreator of the series with Ecamm Live, archived on Ecamm's channel
Built For ThisB2B interview series — switched live in Ecamm, on branding I built
5.0 ratedOn Fiverr, on Upwork, and across the template store
Recent work
Lately
Technical Director · since October 2026
The Don Lemon Show
Lemon Media Network. Technical director on the show, full time and fully remote — the live build, the switch and everything that has to hold together while it is on air.
Live video producer · September 2026 · with the Ecamm team
Card Party Dallas
The Pokémon TCG creator and collector convention founded by Pat Flynn of Deep Pocket Monster, staged at the Gaylord Texan — live game shows, panels and stage programming across the weekend. Also on the crew for Card Party Fort Lauderdale in July, covering behind-the-scenes and roaming capture.
Concept · interviews · b-roll · edit · April 2026 · for Ecamm
A case study film for Ecamm’s marketing — talent interviewed remotely through Ecamm Live, cut together with photography and video I shot on site at the powwow in Albuquerque. Concept, interviews, b-roll and edit, done solo.
A three-day convention for high school, middle school and college choirs at the DoubleTree at SeaWorld in Orlando. Ecamm sponsored the event; I produced the live stream — four cameras, every performance, ticketed for families watching from home.
Digital Media Director · through 2026
ATS continuing education
Accredited CEU webinars running from around 200 attendees to a full thousand — presenter prep, live production, polls and Q&A, attendance workflows and post-event reporting. Also produced Built For This, the B2B interview series.
On site
What it looks like from my side
The National A Cappella & Choral Convention, DoubleTree at SeaWorld, Orlando —
three days of performances and classes for high school, middle school and college choirs.
Ecamm sponsored the event and produced the stream; I produced, on a team of three.
This is the position I work from.
Two hours before doors. Four cameras — a locked safety wide, a tracking cam, a
roaming crowd cam and a floor cam — into a Mac mini running Ecamm, switched through a
RØDECaster Video, with the wireless feeds on Hollyland transmitters. Built, patched and
tested before a single person sat down. Nothing here gets figured out during the show.
And this is what went out. The same show from the other side of the desk — four
cameras cut live, for the room and for the families watching a stream they had bought a
ticket to see.
The holding screen. Live before doors open, so anyone arriving early finds a show that has already started rather than a black frame.The room, full. Same stage, doors open, every seat taken — and several hundred more watching from home.The room it has to fill. Every performance streamed, and families who couldn’t get to Orlando bought tickets to watch.Producing. Running scenes, cutting four cameras, and keeping the floor cam — the riskiest angle in the room — on a monitor of its own.
Also produced for
Card PartyNational A Cappella & Choral ConventionATS SeminarEcamm NetworkNYC Mayor’s OfficeMiller Media GroupKirby AllisonMaster OhLiving Legacy HealthAQUA DCFITBKOuvriBaryeBrooklyn Public LibraryWest Indian American Day Carnival AssociationAmerican Platform Tennis AssociationPeople of Video
What I do
Production, start to finish
For educators, nonprofits, churches, associations and creative teams — anyone who has to
run a show and needs it to look like a broadcast, not a video call.
Live & live-to-tape production
Multi-camera, multi-guest hybrid events and virtual panels run in Ecamm Live and
Zoom Webinar. I handle tech, graphics, camera management and transitions so the show
holds together on air — and you present instead of driving software.
Multi-camHybrid eventsEcamm + ZoomRun-of-show
Webinar & panel management
Panelist coaching, Zoom Webinar moderation and audience engagement — including the
accredited continuing-education programmes I ran for ATS
through 2026, from around 200 attendees up to a thousand, and my own online events to 2,000.
Polls, Q&A, attendance workflows and post-event reporting included.
Panelist coachingModerationCEU programsLive Q&A
Custom Ecamm profile builds
A complete, branded Ecamm Live profile built to your show — countdowns, lower thirds,
guest layouts and screen-share scenes, wired to your Stream Deck and handed over with
a walkthrough. For teams who want to run it in-house.
Overlay packages and motion intros built natively in Ecamm — lower thirds, countdowns,
rundown bars and full show looks that match your brand.
Lower thirdsCountdownsShow packaging
The Ecamm relationship
Not just on Ecamm — inside it
Most producers use Ecamm Live. I help make the material other people learn it from.
Building Blocks
Creator and co-host of the live tutorial series with Ecamm Live, archived on Ecamm’s own channel.
Ecamm Network News (ENN)
Creator and co-host of ENN, Ecamm’s community news programme, produced and streamed live each edition.
Ecamm Live Academy
Workshops delivered for Ecamm’s own training programme — teaching the software to its users.
Ecamm’s blog also covers my pre-show tech-check routine. When you hire me for an Ecamm
production, you’re hiring someone the people who build it ask to teach it.
Want that setup, but running it yourself?
I’ll build your Ecamm profile to your show — scenes, lower thirds, countdowns,
guest and screen-share layouts, wired to your Stream Deck, handed over with a walkthrough.
Don’t have Ecamm Live yet? Try it free for 14 days. I’m an Ecamm affiliate, so that
link supports my work at no extra cost to you — I’d recommend it either way.
Studio builds
Sometimes the upgrade is a subtraction
vOz Vanelli runs songShine, an arts
community and indie game studio in Tupelo, Mississippi. He found me through the Ecamm Live
Academy and started with a custom Ecamm profile — then he asked about the room. He had all
of it already: eight cameras, switchers, lights, audio hardware. Good gear, every piece of it,
and all of it working against him. I spent a week there in July 2025.
He didn’t need anything else. He needed less.
BeforeThe room. Tripods in every lane, cable across the floor, and a wall of Nick Piliero
originals you couldn’t see for the legs. Every angle in here was a decision he had to
make before he could say a word.
AfterThe same room, end of the week. One camera, two monitors, a mixer he can reach
without standing up. Same lights, same art — and now you can see the art.
BeforeAnd the desk it ran from. A 32-channel console and a Stream Deck, for a room with
one person in it. Every session started with getting all of this ready — before
anything creative could begin.
AfterWhere the camera ended up. Centre, at eye height, behind an Elgato prompter, between
the two screens — so the shot he goes live on is the one he is already reading from.
The switcher came out with everything else: one camera, one Cam Link, and Ecamm Live
doing the switching.
He is recording and streaming in a room that matches how he actually works — which was the
entire point. Livestreams, song sessions and behind-the-scenes, all of it out of
Ecamm Live:
it is the brain of the room, and taking the hardware out is what let it be.
Paintings by Nick Cerullo Piliero,
from vOz’s collection.
Room working against you?
I travel for studio builds and rebuilds — your gear, your space, cut back to what you
actually use, and set up so you can switch it on and work.
That Ecamm link is my affiliate link, so it supports my work at no extra cost to you. It is
what I build every room on, vOz’s included.
What clients say
In their words
“Fuljens IS Mr Ecamm himself. Extremely knowledgeable in all things
live-streaming, and able to guide me and create beautiful overlays, lower thirds and welcome
screens for our Ministry. I will be returning for more from him — 10 stars!”
Upwork client · animated overlays for Ecamm LiveDec 2024★★★★★
“Fuljens did an amazing job with the services I needed for my online event. I truly thank him for his service.”
Upwork client · health & wellness webinarNov 2024 – Oct 2025★★★★★
“Fuljens did in one hour what I couldn’t do after hours and hours of Ecamm tutorials. Knowledgeable, and a great teacher.”
drdebkern · Fiverr1 month ago★★★★★
“Delivered an exceptional product and exceeded expectations. Communicative, creative, and a subject matter expert — great attention to detail, and incorporates feedback well.”
khosan · Fiverr6 months ago★★★★★
“Showed me everything when it came to setting up Ecamm Live — overlays, scenes, setting up my camera, and Zoom meetings too. I’d recommend his expertise to anyone brand new with Ecamm.”
writescript · Fiverr1 year ago★★★★★
“Very quick service, quick delivery, and got me back on track to keep streaming. Legendary!”
jdubgamenplay · Fiverr1 year ago★★★★★
“This guy is a legend.”
kingzy57 · Fiverr1 year ago★★★★★
★★★★★5.05.0 average across 8 Fiverr reviews, Upwork, and the template store
How it works
From first note to on air
Every engagement runs the same four steps, whether it's one webinar or a whole season.
STEP 01
Tell me about the show
Format, guests, gear, dates and what success looks like. The intake form takes about five minutes.
STEP 02
Plan & quote
I come back with a production plan and a firm quote — scope, timeline, and exactly what I need from you.
STEP 03
Build & rehearse
Scenes, graphics and run-of-show built and tested before show day, with a full tech rehearsal.
STEP 04
Go live
I run the room — switching, graphics, guest wrangling, the lot. You present.
Every show is scoped differently — cameras, guests, rehearsal time and graphics all move the
number — so I quote per project rather than publish a rate card. Send the details and you'll
have a plan and a firm price back within two business days.
Available for projects and consultations on weekday evenings and weekends.
Watch
How it actually gets done
From my channel: my own webinar position and what every screen on it is for, plus the Ecamm
techniques I get asked about most.
18 ready-made Ecamm packs — lower thirds, countdowns, grids and full show looks,
from $10. Every rated one is five stars. Or have a profile built to your show,
branded and wired to your Stream Deck.
A few questions about your format, your gear and your timeline. You'll get a production plan
and a firm quote back within two business days — no call required to start.
Prefer email? hello@fuljens.com
